Dejak Codex

Trent Pehrson Trent Pehrson

A set of codices containing legends written in Idrani, housed in an oak case

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Oak storage case for the three volumes of the Dejak Codex
Partially opened oak case revealing the bound codices
Oak storage case with the first codex displayed upright
Three bound volumes containing the Idrani text, transliteration, and English translation
Front and side views of the handmade codices
Open codices displaying Idrani text, Latinized transliteration, and English translation
Close-up of Idrani text in the Khisipokhi writing system
Author and transcriber credit page from the Dejak Codex
Page showing the Latinized transliteration of Idrani
Page showing the English translation of an Idrani story
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About This Exhibit

The Dejak Codex is a three-volume work originally created as a project for an undergraduate linguistics program. At its heart is a collection of stories told to me throughout my childhood by various relatives, including my great-grandmother, Julia Nydeggar. I later reconstructed these stories in Idrani, treating the project as both an exploration of language and an act of preservation—transforming stories passed down through family memory into a written literary tradition.

The three volumes present the same body of material in three different forms. The first contains the Idrani texts written in the Khisipokhi script; the second contains a Latinized transliteration of the Idrani texts; and the third provides an English translation. The codices are deliberately designed as physical artifacts rather than conventional printed books. Their pages are printed in red and black ink on white paper and bound in covers constructed from recycled cardboard and discarded construction paper. The covers are thickly coated with leftover latex paint and embellished with ornamental details executed in gold leaf.

The storage case is constructed from scrap oak and finished with gold leaf. The books themselves also depart from the conventions of English-language bookmaking: they open from left to right, reversing the conventional orientation of English-language books. Together, the three volumes are intended not simply as a record of stories but as artifacts of an imagined literary tradition—bringing language, family memory, typography, translation, and handmade bookmaking together in a single work.