Trent Pehrson
A commissioned constructed language and collection of artifacts created for the fictional world of novelist Dawn Chapman
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Secret King is a multidisciplinary project commissioned by
novelist Dawn Chapman to develop a constructed language for the
fictional world of her novels. The commission extended beyond
the creation of a linguistic system to encompass a substantial
dictionary, a custom writing system, a handmade ornamental
volume, interactive software applications, and a physical
medallion featured in the stories. Together, these elements
explore how language and material culture can contribute
to the depth and coherence of an imagined world.
At the center of the project is the development of a constructed
language supported by an extensive dictionary. Rather than
serving merely as a collection of invented words, the language
was developed as a resource through which the fictional culture
could be represented and explored. Its accompanying writing
system provides a distinctive graphic identity, transforming
linguistic structures into recognizable visual forms. The
relationship between sound, written language, and ornamental
design became an important aspect of the project's broader
artistic development.
The dictionary was printed and handbound into an elaborate
leather-covered volume of my own construction. Its richly
ornamented exterior incorporates geometric motifs, decorative
emblems, and contrasting colors, transforming a practical
linguistic reference into a physical artifact. The book's
construction reflects an interest in the relationship between
knowledge and its material presentation: a dictionary that
functions not only as a reference work but also as an object
that might plausibly belong to the world it documents.
The commission also included the creation of a physical
medallion based on an object appearing in Chapman's stories.
Its circular form, layered ornamentation, and geometric
symbolism give tangible expression to an element of the
fictional narrative. By translating a literary object into
a physical artifact, the project extends the imagined world
beyond written description, allowing an object conceived
in fiction to exist as a sculptural work.
In addition to the linguistic and physical components, I
developed a calendar application and a Word of the Day
application for the project. These digital tools provided
additional ways to engage with the constructed language
and its associated fictional culture. The vocabulary
application presented words through an interactive interface,
while the calendar application extended the project into
another dimension of cultural and temporal organization.
Together, they demonstrate how constructed languages can
function within interactive systems as well as literary texts.
Secret King represents an exploration of the relationship
between language construction, visual art, software development,
and literary worldbuilding. By creating not only a language
but also the books, symbols, objects, and applications
associated with it, the project investigates how the
imagined elements of a fictional culture can acquire
coherence and material presence. The resulting collection
occupies a space between linguistic invention, book arts,
graphic design, sculpture, and digital media, illustrating
the possibilities of collaborative artistic creation
in support of a literary world.